NeoBloom: Ascendant⤣ SERIES
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NeoBloom: Full Series

NeoBloom: Ascendant

A single digital canvas presenting three imagined flowers — Oberon, Hermia and Puck — caught in perpetual bloom.

Ascendant is one of two digital canvases that together form the NeoBloom series. Within its single composition, three imagined flowers — Oberon, Hermia and Puck — cycle in sequence, each appearing in its full bloom before dissolving and giving way to the next.

Oberon leads the sequence in magenta, the canvas alive with shifts of yellow and purple beneath the dominant hue — a flower as commanding as the fairy king whose name it carries. Hermia follows in white, with deeper layers of peach and cream swirling through her petals, mirroring the passionate, strong-willed character of her Shakespearean counterpart. Puck closes the cycle in orange, his colours restless and shifting, true to the mischievous, transformative spirit of his namesake.

As the viewer approaches, the canvas responds. The active flower breaks into a 'big bloom' — a synthesised dispersal of petals — before reforming and ceding the canvas to the next bloom in the sequence. The interaction collapses the boundary between observer and artwork, and locates the work within a continuous cycle of growth and rebirth.

Ascendant is conceived as one half of a paired statement. Read alongside its companion canvas Concord, the two works form a six-flower composition that holds individuality and harmony in deliberate tension.

⤣ SERIES

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Information

Year:

2025

Edition:

Edition of 8 + 2 Artist Proofs + 2 Museum Proofs

Materials:

Code, electronics, display, sensors, aluminium

Details:

Dimensions (Metric):

76 x 76 x 11 cm, framed
(W x H x D)

Dimensions (imperial):

29.8 x 29.8 x 4.1 inches, framed
(W x H x D)

Commissioned by:

Context

Ascendant is the bolder of the two NeoBloom canvases. Its three flowers — Oberon, Hermia and Puck — are united by a warmer, more assertive palette that moves through magenta, peach-white and orange. Where Concord settles into harmony, Ascendant leans toward force.

The Shakespearean naming runs through the work. Oberon — king of the fairies in A Midsummer Night's Dream — leads the canvas in magenta, the dominant hue threaded with shifts of yellow and purple. Hermia, known in the play for her strong will and depth of emotion, follows in white, her petals layered with deeper passages of peach and cream. Puck, the mischievous spirit of the play, closes the cycle in orange, his colours restless and shifting in keeping with his namesake's transformative character.

Ascendant is one half of a paired work. Read alongside its companion canvas Concord, the two together hold six flowers in a single composition that balances individual character against shared identity.

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