Concord is one of two digital canvases that together form the NeoBloom series. Within its single composition, three imagined flowers — Hippolyta, Moonshine and Titania — cycle in sequence, each appearing in its full bloom before dissolving and giving way to the next.

Hippolyta opens the sequence in white, her petals scalloped and overlapping, drawing on the classical strength of her Shakespearean namesake. Moonshine follows in blue, threaded with soft passages of white and gold that lend the bloom a spectral, moonlit quality. Titania closes the cycle in pink, layered and regal, a flower whose density and softness mirror the queen of the fairies herself.

As the viewer approaches, the canvas responds. The active flower breaks into a 'big bloom' — a synthesised dispersal of petals — before reforming and ceding the canvas to the next bloom in the sequence. The interaction collapses the boundary between observer and artwork, and locates the work within a continuous cycle of beauty and renewal in which the flowers never wilt.

Concord is conceived as one half of a paired statement. Read alongside its companion canvas Ascendant, the two works form a six-flower composition that holds individuality and harmony in deliberate tension.